Duomo di San Martino, Lucca
One of the hilglights of this curch is Civitali's Tempietto; built in 1482. It houses the Volto Santo (Holy Face). A large wooden crucifix said to have been carved by Nicodemus; the biblical figure who helped Joseph of Arimathea remove Christ's body from the cross. I read somewehre that this sculpture couldn't be the original one, but carved between XI-XIII centuries.
Another thing not to miss inside the church is the sarcofagus of Ilaria del Carretto. It was made between 1407 e il 1408. Ilaria was one of Paolo Guinigi's wifes. The lord of Lucca. She died very young. I think she was 26.
Torre delle Ore
Torre delle Ore is open daily from 9:30 am to 5:30 pm (7:30 pm in the summertime). Admission is 3.50 Euros, but for 5 Euros you can buy a combined ticket that also gives access to the Torre Guinigi.
City walls
This great wall of Lucca offers locals and tourists alike the fun way to see Lucca. You can walk, jog, run, bike, and even rollerskate this fabulous wall. When visiting Lucca, it is a must thing to do. The view of gardens on patios, the church bell towers, the winding streets, and the beauty of the buildings all take on a special feel from on high. The best part is that there are paths, not stairs, that you can walk to get to the top. A tourist treat when visiting Lucca.
Puccini House and Museum
Lucca is the birthplace of a surprising number of composers, but none are as famous as Giacomo Puccini, the man behind "Madame Butterfly", "La Boheme", "Manon Lescault" and "Tosca", among other well-known operas. Puccini was born at No. 9 Corte San Lorenzo. The house was turned into a small museum in 1979, but it's closed indefinitely. Of course, that doesn't stop visitors from taking a quick look at the house that saw this great composer, born into a family of musicians, grow up and develop an interest in music after having seen a performance of Verdi's "Aida" in Pisa. On the little piazza near his childhood home there's a nice statue of Puccini, very justly portrayed holding a cigarette in his hand.
RECOMMENDED ROUTE
The purposeful walker can choose among three well-signposted ''tourist routes'' or plot his own course. All you need to do is to pick up a map at the tourist office in the center of town at 40 Via Veneto, and set off. The walk described below can take the best part of a day.
Lucca's streets still follow their original Roman layout. Go up Via Veneto from Piazza Napoleone (where you have probably parked) and start at the church of San Michele, built on the site of the old Roman forum. The main part dates from the 12th century; In the spandrels, green mosaic huntsmen, hawks and hounds chase stags, hares, boars and bears, while lions and dragons fight each other - a medieval bestiary in stone. Many of the capitals bear 19th-century additions - notably the carved heads of such heroes of the Risorgimento as Garibaldi, Vittorio Emanuele, Cavour and Napoleon III.
Leave the Piazza San Michele by its southwest corner, walking west along Via San Paulino. (Note that as you leave the square by this route, just off to the left, at 1/5 Via della Cervia, is Buca di San Antonio, a restaurant worth a detour from wherever you are when serious hunger strikes.) At the end of Via San Paulino, turn right into Via Galli Tassi and stop at the 17th-century Palazzo Mansi on the left.
Do not be fooled by the simplicity of its exterior. Inside is an elegant palace built around courtyards with shady loggias. The rooms themselves are opulent illustrations of the ancient wealth of Lucca. They culminate in a wildly rococo Wedding Room with a huge canopied bed hung with elaborately embroi- dered silk, set into an alcove created by a heavily carved and gilded arch supported by man-high gilded caryatids.
Continue up Via Galli Tassi, turn right on Via San Giorgio and continue to Via Fillungo where you turn left. This is Lucca's main shopping street, from which traffic is banned. Boutiques on either side display the best French and Milanese ready-to-wear and Florentine leather, supple and lusciously colored. There are jewelry shops galore, many with interiors frescoed and decorated with gilded plasterwork that make them small gems in themselves.
At the Piazza Scarpellini ignore, for the moment, the sign on the right pointing to ''Anfiteatro Romano Sec. II'' and, instead, turn left for the austere Romanesque Basilica of San Frediano, named after an Irishman who was bishop of Lucca in the sixth century. After visiting the austerely Romanesque interior, return to the Piazza San Frediano, cut down Via Anguillara and then up Via Fontana. The former is lined with the simplest of shuttered houses, some punctuated by Renaissance iron window grills. At the end of Via Fontana is Via Battisti, with several modestly Baroque palazzi. One, the Palazzo Pfanner, is worth a visit for a look at its formal, 18th-century Italianate garden with statuary and fountain. Then go up the palazzo's outdoor staircase to the second floor where there is a small but attractive collection of 18th- and 19th-century Lucchese costumes.
Return to Via San Giorgio by continuing down Via Battisti away from San Frediano. Turn left and you arrive back at Via Fillungo. You are now heading for the Roman amphitheater, but this route gives you another chance to window shop the boutiques.
Lucca - history
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Beginning in Roman times, continuing through the Middle Ages, on to the Napoleonic era and finally to the Risorgimento, Lucca's monuments, churches, palaces and roads, even its very shape have a story to tell. Each layer blending with preceding ages marking the growth and changes of the city.
The broad, high walls, which characterize the city, are a feature of its past, and a pleasant element of its present.
Completely surrounding the ancient city, the walls we see today date back to the 17th century. Now, no longer used for defense, they are crowned by 4 km of green parkland, and are a lovely place to walk, cycle or stop for a picnic. Just another example of how, over the centuries, though buildings last, their roles metamorphose as times change.
Rich families who embellished the city are closely connected with Lucca's many enchanting legends and tales. The central square, at the heart of the city, maintained the shape of the Roman amphitheater and shows the outline of an ancient arena.
How to get to Lucca
By plane
Pisa International Airport has a rail station attached, and is only a 20 minute train ride from Lucca.
Flights from most large cities are available daily, and from Hub airports (such as Stansted) as many as three times a day. Two terminals exist, with the latest being added late 2008.
Car hire is available from all the major providers.
By train
The railroad station is just outside the old town walls. Luggage lockers are available, from the tourist information office just across the road from the station at the price of €1.50 per hour. There are no direct trains from Pisa airport to Lucca, so a transfer is required in Pisa central station.
By bus
There is a bus that travels directly from Pisa Airport to Piazzale Verdi in Lucca.
You get the bus just outside the arrivals hall of the airport (buy your tickets beforehand at the ticket kiosk within the arrivals hall). The fare is cheap at about €4.
The bus ride is a scenic, pleasant fifty minute ride to Piazzale Verdi, which is inside the walls.
By car
Driving inside the walls is mostly reserved to residents, so park your car (there are car parks outside the walls and a couple inside, accessible by non-residents) and rent a bike. Several bicycle rental locations can be found near the North entrance to the city, Porta Santa Maria, near Porta San Pietro and walking from Porta Elisa towards the center. It is not a large city within the walls, so you may find it more enjoyable to simply walk around.
The city has many car parks located outside the wall, the largest two are on the North and South side. The A11 (E76) Runs from the coastal A12(E80) Autostrada across towards Firenze.





